April 2017
2017-04-04 Alfons Schilling im Westlicht
Alfons Schilling's experimental photographic exhibition at Westlicht, Vienna (2017) explores perceptual boundaries through radically abstracted visual representations. Featuring monochromatic works investigating motion, architectural fragmentation, and technological visualization, the installation deconstructs photographic mediums through innovative techniques of spatial composition, motion blur, and interdisciplinary visual documentation.
22 photos
Alfons Schilling: Exhibition View of "Beyond Photography" at Westlicht, Vienna 2017 Black and white photographic exhibition installation featuring a large central image of a figure with an architectural backdrop, flanked by smaller framed works. Minimal white gallery wall displays three photographic prints, with a display case visible on the right side, presenting Schilling's experimental approach to visual representation and spatial composition. 
Alfons Schilling at Westlicht: Two Figures in Gallery Space with Radial Artwork Two individuals stand in a minimalist gallery interior, positioned near a large circular black-and-white radial artwork and a staircase. The subjects are casually positioned, one in dark clothing and the other in a blue shirt, creating a dynamic visual composition within the white-walled exhibition space that suggests an informal moment during the Schilling photography exhibition. Architectural elements and exhibition design frame their interaction against the expansive gallery environment. 
Visitors Exploring Alfons Schilling Exhibition at Westlicht Gallery, Vienna 2017 Interior gallery space with white industrial ceiling and exposed structural elements, populated by multiple visitors standing in loose clusters. Attendees engage with photographic displays, positioned at varying distances and angles across a dark floor, creating a dynamic spatial composition of contemplative observation. Soft ambient lighting illuminates the exhibition space, highlighting the architectural details and facilitating an intimate viewing experience of Schilling's photographic works. 
Schilling Exhibition at Westlicht: Mirrored Reflections of a Viewer's Back A female viewer stands with her back to the camera, wearing a dark padded jacket and carrying a gray backpack, positioned centrally between two symmetrical dark-framed mirrors. Her blonde hair falls straight, creating a visual echo through the multiple reflective surfaces that fragment and multiply her silhouette within the stark exhibition space. The geometric composition emphasizes spatial depth and visual repetition characteristic of contemporary photographic display. 
Alfons Schilling at Westlicht: Stereoscopic Viewer Prototype in Wooden Construction Precision-crafted wooden stereoscopic viewer positioned on a reflective surface, featuring an elegantly engineered wooden frame with articulated components and a delicate mechanical mechanism. The device displays nuanced woodworking techniques, with warm orange-brown tones suggesting careful material selection and expert craftsmanship. Photographic prints partially visible beneath the apparatus hint at the viewer's intended functional context within photographic exploration. 
Schilling Exhibition Visitors Examining Photographic Artifacts at Westlicht, Vienna 2017 Interior gallery space illuminated by overhead track lighting, with multiple individuals clustered around a dark display unit, intently examining and photographing exhibits. Participants wear casual attire - dark shirts and glasses - and demonstrate focused engagement, holding smartphones and devices to capture details of the photographic installation. The architectural setting suggests a contemporary museum or gallery environment with minimalist white walls and industrial ceiling infrastructure. 
Alfons Schilling at Westlicht: Photographer Displays Polaroid Self-Referential Portrait, 2017 A bespectacled man in a printed graphic t-shirt holds a Polaroid photograph in the foreground, creating a layered visual composition that explores photographic representation and self-documentation. The blurred interior background suggests a gallery or studio setting, with shelving visible, while the subject smiles warmly and displays the instant photo with deliberate gesture, demonstrating a meta-photographic moment within the Westlicht exhibition space. 
Alfons Schilling at Westlicht: Luminescent Green Portrait Study, 2017 Monochromatic green thermal or infrared photographic portrait revealing a facial profile through a radiant emerald-toned visualization. Soft gradients of luminescent green illuminate facial contours, creating an ethereal silhouette against a dark background with subtle textural variations and soft focus. The image appears to explore technological visualizations of human physiognomy through experimental photographic techniques characteristic of Schilling's innovative artistic approach. 
Alfons Schilling at Westlicht: Grid of Monochromatic Contact Prints, 2017 Fifteen framed contact prints arranged in a precise 3x5 grid, displaying minimal black-and-white photographic fragments against pristine white backgrounds. Each frame contains multiple small, abstract photographic elements positioned with calculated geometric precision, suggesting a methodical exploration of visual syntax and photographic fragmentation. The installation exemplifies Schilling's conceptual approach to photographic representation within a meticulously controlled gallery environment. 
Lichtpumpe Light Pump, Phantom-Brain: Alfons Schilling Artwork Label at Westlicht Archival exhibition label detailing a mixed-media artwork by Alfons Schilling, featuring precise typography describing the 1981 sculptural piece "Lichtpumpe Light Pump, Phantom-Brain" composed of wood, aluminum, and rubber materials. The label's crisp black text is positioned against a neutral background, providing detailed material and institutional provenance from the MAK - Austrian Museum for Applied Arts/Contemporary Art in Vienna. 
Alfons Schilling Exhibition Viewer at Westlicht, Vienna 2017 A visitor stands in a minimalist white gallery space, viewed from behind, observing a curated display of monochromatic and color photographic works. Positioned centrally, the viewer's silhouette is framed against a wall featuring multiple photographs with varying tonal qualities, with an artist's wooden easel prominently placed in the foreground, suggesting a contemplative engagement with the exhibition's visual narrative. 
Fragmented Architectural Typology: Layered Urban Silhouettes in Monochrome A complex photographic composition presenting multiple architectural fragments arranged to form a singular letterform, rendered in high-contrast black and white. The image deconstructs architectural elements—suggesting building facades, windows, and structural planes—which are strategically overlapped and intersected to create a dense, multi-layered visual representation that blurs the boundaries between graphic design, architectural study, and photographic abstraction. The monochromatic palette emphasizes textural variations and structural interplay, creating a sophisticated exploration of form and negative space. 
Alfons Schilling: Experimental Exhibition Design at Westlicht Gallery, Vienna 2017 Minimalist gallery interior featuring black vertical display pedestals with sculptural orange circular elements, positioned against white walls displaying monochromatic photographic works. An exhibition visitor stands to the right, providing scale and human presence within the meticulously arranged spatial composition of Schilling's retrospective. Exposed industrial ceiling structure and carefully modulated lighting emphasize the architectural precision of the museum display. 
Alfons Schilling's Radial Motion Study: Circular Monochrome Vortex at Westlicht, 2017 Monochromatic circular artwork displaying a radial blur emanating from a central point, creating a dynamic visual vortex of grayscale tones. The circular composition generates a sense of rotational movement through concentric rings of varying luminosity and density, suggesting motion and kinetic energy through photographic technique. Mounted on a neutral background, the piece exemplifies Schilling's experimental approach to photographic representation and visual perception. 
Alfons Schilling at Westlicht: Radial Motion Study in Monochrome Abstraction A dynamically rendered black and white photographic abstraction featuring an explosive radial composition with intense linear momentum. Blurred and streaked visual elements converge toward a central vortex, creating a sense of rotational energy and centrifugal force through meticulously controlled motion blur and directional light rays. The monochromatic palette emphasizes textural gradations and kinetic movement, transforming photographic technique into a pure visual experience of motion and spatial distortion. 
Alfons Schilling at Westlicht: Dynamic Motion Study in Monochrome Blur Radically abstracted black and white photographic composition featuring an explosive, centrifugal motion blur that fragments visual elements into sweeping, gestural streaks of light and shadow. The image suggests intense kinetic energy through its radial distortion, with sharp linear fragments dispersing from a central point into a dynamic, almost cyclonic visual structure that challenges perceptual boundaries between form and movement. 
Alfons Schilling at Westlicht: Silhouetted Abstract Shadow Composition, 2017 High-contrast monochromatic photographic composition featuring fragmented black silhouettes against a stark white background, exploring the interplay of negative and positive spatial forms. Geometric linear elements intersect with organic, irregularly shaped shadow figures, creating a dynamic visual tension through sharp tonal demarcations and abstracted spatial relationships. The image exemplifies an experimental approach to photographic representation, reducing visual elements to essential geometric and gestural interactions. 
Alfons Schilling at Westlicht: Intimate Media Archive with Vintage Television Display Densely arranged shelves of books, records, and photographic ephemera create a complex visual field surrounding a vintage television set displaying a shadowy silhouetted figure. The meticulously organized archival space reveals layered cultural artifacts, with publication spines and graphic design elements creating a rich textural background that frames the central illuminated screen, suggesting an exploration of visual media, documentation, and archival representation. 
Bookshop Interior with Yellow Seating and Ambient Lighting at Westlicht, Vienna Intimate bookstore interior featuring a vibrant yellow bench seating area, surrounded by shelved books and art publications. Overhead, adjustable scissor-style track lighting creates a dynamic spatial environment, with pendant lamps casting warm illumination across the dark floor and red-accented wall. The carefully curated space suggests a multifunctional venue combining retail, exhibition, and social gathering aspects typical of contemporary cultural spaces. 
Alfons Schilling Book Display and Exhibition Materials at Westlicht, 2017 Carefully arranged display of photographic books and exhibition materials featuring a prominent red-toned book with the letters "BEYOND" prominently displayed. Multiple publications are positioned across a wooden surface, including a "Buch des Monats" (Book of the Month) sign, creating a meticulously curated presentation of Schilling's photographic work and publications. Soft ambient lighting highlights the geometric composition of books and informational materials. 
Alfons Schilling: Transparent Optical Device Detail at Westlicht, 2017 Monochromatic close-up of a transparent, molded optical component with two circular lens impressions, positioned on a neutral background with subtle tonal gradations. The precision-engineered surface reveals intricate contours and subtle reflective qualities, suggesting a meticulous exploration of visual technology and material form characteristic of Schilling's experimental photographic practice. 
Alfons Schilling at Westlicht: Monochromatic Figure in Fragmented Urban Landscape Black and white photographic study depicting a suited figure standing in a distorted, layered urban environment, characterized by abstract visual interference and spatial compression. The subject emerges through a fragmented visual plane of overlapping grayscale tones, suggesting movement and temporal displacement within the architectural context. Textural disruptions and blurred architectural elements create a sense of psychological complexity and perceptual instability. You might also like
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